The art of music, Vol. 06 (of 14) : $b Choral and church music
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"The Art of Music, Vol. 06 (of 14): Choral and Church Music" by Rossetter G. Cole is a comprehensive historical survey and reference work written in the early 20th century. It examines the development of choral and church music from early Christian chant through medieval polyphony, the mass, motet, madrigal, cantata, and oratorio, up to then-contemporary practice, also treating the organ and national traditions. The focus is on musical forms, styles, and trends rather than on biographical portraiture, with analyses and classifications of a wide array of works. The opening of the volume sets its method and scope: Cole’s preface explains the need to condense a vast field, privileging the evolution of forms and styles over personalities, and acknowledging omissions (such as hymnology and some contemporaneous church topics) due to space. Frank Damrosch’s introduction frames choral singing as a communal art rooted in both church liturgy and folk-song, outlines its functions and types, and
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